Genre Station Of Jazz

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    Brother Jack McDuff - Rock Candy

    2:48

    Soul, R&B, Hammond

    -
    Erzeugt mit AquaSoft DiaShow für YouTube:

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    Naima - John Coltrane

    4:20

    Tribute John Coltrane

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    HORACE SILVER, Doodlin

    6:46

    Final track from Horace Silver And The Jazz Messengers album. Recorded on november 13, 1954 at Rudy Van Gelder's Hackensack studio. Horace Silver (piano); Hank Mobley (tenor saxophone); Kenny Dorham (trumpet); Doug Watkins (bass); Art Blakey (drums).

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    Antonio Carlos Jobim - Wave 1967

    2:57

    Antonio Carlos Jobim - Wave 1967/ Classic Bossa Nova / Just one of the many classic Bossa Nova compositions by Antonio Carlos Jobim. Wave has been covered by many Jazz musicians and vocalists.

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    Freddie Hubbard - Up Jumped Spring

    6:44

    Freddie Hubbard
    Up Jumped Spring
    Backlash
    1966

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    Cal Tjader Quintet - Cubano Chant

    4:05

    One of the greatest versions of the Ray Bryant's classic.The Cal Tjader Quintet: Cal Tjader (vibes), Vince Guaraldi (piano), Al Mckibbon (bass), Willie Bobo (timbales) & Mongo Santamaría (congas). Recorded in 1958. Fantasy Records.

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    King Porter Stomp - Benny Goodman

    3:08

    King Porter Stomp - Benny Goodman

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    Vince Guaraldi Trio - Linus And Lucy

    3:05

    Music video by Vince Guaraldi Trio performing Linus And Lucy. (C) 2012 Concord Music Group, Inc.

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    Art Blakey & the Jazz Messengers - Blues March

    6:18

    Blues March

    Album:
    Moanin' (1958)

    Written by:
    Benny Golson

    Personnel:
    Art Blakey — drums
    Lee Morgan — trumpet
    Benny Golson — tenor saxophone
    Bobby Timmons — piano
    Jymie Merritt — bass

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    Dave Brubeck - Kathys Waltz

    4:51

    Kathy's Waltz from Timeout

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    Art Blakey & the Jazz Messengers - Along Came Betty

    6:13

    Along Came Betty

    Album:
    Moanin' (1958)

    Written by:
    Benny Golson

    Personnel:
    Art Blakey — drums
    Lee Morgan — trumpet
    Benny Golson — tenor saxophone
    Bobby Timmons — piano
    Jymie Merritt — bass

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    Horace Silver - The Jody Grind

    5:51

    * Horace Silver (piano)
    * Woody Shaw (trumpet)
    * James Spaulding (flute, alto sax)
    * Tyrone Washington (tenor sax)
    * Larry Ridley (bass)
    * Roger Humphries (drums)

    Recorded on 1966 for Blue Note

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    Stan Getz & Charlie Byrd - Desafinado

    5:51

    Desafinado, a Portuguese word (usually rendered into English as Out of Tune, or as Off Key), is the title of a bossa nova song composed by Antonio Carlos Jobim with lyrics (in Portuguese) by Newton Mendonça. The English language lyrics were written by Jon Hendricks and Jessie Cavanaugh. Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well. The version by Stan Getz and Charlie Byrd (from the album Jazz Samba) was a major hit in 1962, reaching 15 and 4 on Billboard's pop and easy-listening charts, respectively; their definitive rendering also reached No 11 in the UK, Ella Fitzgerald's version ranked number 38 on the charts.

    Jazz Samba is a bossa nova LP by Stan Getz and Charlie Byrd, released on the Verve label on April 20, 1962. Jazz Samba was the first major bossa-nova album on the American jazz scene. It was the real start of the bossa-nova excitement in America, which peaked in the mid-1960s. Though Stan Getz was the featured star of the album, it was very strongly inspired and designed by the guitarist Charlie Byrd. They were joined by two bassists (Keter Betts and Charlie's brother, Gene (Joe) Byrd), and two drummers (Buddy Deppenschmidt and Bill Reichenbach) for the recording at All Souls Church, Unitarian in Washington, D.C. on February 13, 1962, and it was released on April 20, that year as Verve LP V6-8432.

    Although it is often described as music by Brazilian composer Antonio Carlos Jobim, only two of the seven tracks on the album are Jobim compositions (Desafinado [Slightly Out of Tune] and Samba de Uma Nota Só [One Note Samba]), the rest being by other Brazilian composers and by Charlie Byrd. Getz won the Grammy for Best Jazz Performance of 1963 for the track Desafinado, and went on to make many other bossa-nova recordings, most notably with João Gilberto and Astrud Gilberto, and most famously The Girl From Ipanema.

    When I try to sing you say I'm off key
    Why can't you see how much this hurts me
    With your perfect beauty and your perfect pitch
    You're a perfect terror
    When I come around must you always put me down

    If you say my singing is off key my love
    You will hurt my feelings don't you see my love
    I wish I had an ear like yours
    A voice that would behave
    But all I have is feelings and a voice gone deaf

    You insist my music goes against the rules
    But rules were never meant for lovesick fools
    I wrote this little song for you but you don't care
    Its a crooked song oh but all my love is there

    The thing that you would see if you would play your part
    Is even if I'm out of tune I have a gentle heart
    I took your picture with my trusty rollaflex
    And now all I have developed is a complex

    Possibly in vain I hope you weaken oh my love
    And forget these rigid rules that undermine my dream of
    A life of love and music with someone who'll understand
    That even though I may be out of tune
    When I attempt to say how much I love you
    All that matters is the message that I bring
    Which is my dear one I love you

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    Miles Davis - Seven Steps to Heaven HQ 1963

    6:23

    Miles Davis Quintet - Seven Steps to Heaven (original) HQ 1963 Seven Steps to Heaven is just one of the great Jazz Standards by Miles Davis.

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    Yusef Lateef - Love Theme From Spartacus

    4:16

    From the 1961 album 'Eastern Sounds' (Original Jazz Classics)

    Personnel: Yusef Lateef: oboe, Barry Harris: piano, Ernie Farrow: bass, Lex Humphries: drums

    By far my favorite version of this classic tune! Enjoy!

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    HORACE SILVER, Señor Blues

    7:02

    5th track from Silver's Six Pieces Of Silver album. Recorded at the Van Gelder Studio, Hackensack, New Jersey on November 10, 1956. Originally released on Blue Note (1539).
    Horace Silver (piano); Hank Mobley (tenor saxophone); Donald Byrd (trumpet); Doug Watkins (bass); Louis Hayes (drums).

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    Cal Tjader Y Eddie Palmieri Picadillo

    7:06

    Ver mas con el original de rovingeye:

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    Au Privave - Charlie Parker

    2:39

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    Stanley Turrentine - Feeling Good

    7:18

    Love! Please do use 1080p for optimal quality.

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    Dave Brubeck - Take Five

    5:30

    Dave Brubeck - Take Five

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    BOBBY HUTCHERSON, Little Bs Poem

    5:12

    Third track from Bobby Hutcherson's Components album. Bobby Hutcherson (vibraphone); James Spaulding (flute); Freddie Hubbard (trumpet); Herbie Hancock (piano); Ron Carter (bass); Joe Chambers (drums).
    Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 14, 1965.

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    Charlie Parker Quintet - Blues for Alice

    2:50

    Classic Mood Experience The best masterpieces ever recorded in the music history.
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    Charles Charlie Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.
    Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname Yardbird early in his career. This, and the shortened form Bird, continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as Yardbird Suite, Ornithology, Bird Gets the Worm, and Bird of Paradise. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer.
    Charles Parker, Jr. was born in Kansas City, Kansas, and raised in Kansas City, Missouri, the only child of Adelaide Addie (Bailey) and Charles Parker. He attended Lincoln High School in September 1934, but withdrew in December 1935, just before joining the local musicians' union.
    Parker began playing the saxophone at age 11, and at age 14 he joined his school's band using a rented school instrument. His father, Charles, was often absent but provided some musical influence; he was a pianist, dancer and singer on the T.O.B.A. circuit. He later became a Pullman waiter or chef on the railways. Parker's mother Addie worked nights at the local Western Union office. His biggest influence at that time was a young trombone player who taught him the basics of improvisation.
    In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day.
    Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style.
    In 1939 Parker moved to New York City, to pursue a career in music. He held several other jobs as well. He worked for nine dollars a week as a dishwasher at Jimmie's Chicken Shack, where pianist Art Tatum performed.
    According to an interview Parker gave in the 1950s, one night in 1939 he was playing Cherokee in a jam session with guitarist William Biddy Fleet when he hit upon a method for developing his solos that enabled one of his main musical innovations. He realized that the 12 semitones of the chromatic scale can lead melodically to any key, breaking some of the confines of simpler jazz soloing.
    A longstanding desire of Parker's was to perform with a string section. He was a keen student of classical music, and contemporaries reported he was most interested in the music and formal innovations of Igor Stravinsky and longed to engage in a project akin to what later became known as Third Stream, a new kind of music, incorporating both jazz and classical elements as opposed to merely incorporating a string section into performance of jazz standards. On November 30, 1949, Norman Granz arranged for Parker to record an album of ballads with a mixed group of jazz and chamber orchestra musicians. Six master takes from this session comprised the album Charlie Parker with Strings: Just Friends, Everything Happens to Me, April in Paris, Summertime, I Didn't Know What Time It Was, and If I Should Lose You.
    In 1953, Parker performed at Massey Hall in Toronto, Canada, joined by Gillespie, Mingus, Powell and Roach. Unfortunately, the concert happened at the same time as a televised heavyweight boxing match between Rocky Marciano and Jersey Joe Walcott, so the musical event was poorly attended. Mingus recorded the concert, resulting in the album Jazz at Massey Hall. At this concert, Parker played a plastic Grafton saxophone. At this point in his career he was experimenting with new sounds and materials. Parker himself explained the purpose of the plastic saxophone in a May 9, 1953 broadcast from Birdland and did so again in a subsequent May 1953 broadcast. Parker is known to have played several saxophones, including the Conn 6M, the Martin Handicraft and Selmer Model 22. He is also known to have performed with a King Super 20 saxophone. Parker's King Super 20 saxophone was made specially for him in 1947.
    FROM WIKIPEDIA:

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    Charlie Bird Parker - Yardbird Suite

    3:01

    Charlie Bird Parker - Yardbird Suite ALL RIGHTS GO TO THEM/FOR ENTERTAINMENT PURPOSES ONLY Please rate, comment, and check out my other metal/jazz videos. Thanks for watching.

    - FOR CRITICISM PURPOSES ONLY.
    - I DO NOT INTEND OR HOPE TO GAIN MONETARILY OR THE LIKE WHAT-SO-EVER FROM THIS VIDEO.
    - PLEASE SUPPORT THE OFFICIAL RELEASES.

    Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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    Barbados by Charlie Parker

    2:30

    This is Charlie Parker's Barbados. I don't own any of it (song or pictures). If you don't enjoy it, you're bad. This is such a cool song and bird was an outstanding player that influenced all bebop.

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    Benny Goodman Dont Be That Way

    3:07

    Don't Be That Way written by Edgar Sampson, Benny Goodman, and Mitchell Parish was Benny Goodman's opening number in his famous Carnegie Hall Concert on January 16, 1938. A month later he recorded it for RCA Victor and it became a number 1 hit. As with Sing, Sing, Sing, Let's Dance, and And the Angels Sing, Don't Be That Way has been strongly associated with Benny Goodman. This is being posted for my subscriber 1968LEONE1. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by SME . No copyright infringement is intended. This purpose of this upload is for viewer enjoyment and education not for monetary gain.

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    Horace Silver - Strollin

    5:01

    Love! Please do use 1080p for optimal quality.

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    Clifford Brown & Max Roach - Jordu

    7:51

    Clifford Brown and Max Roach (1954)

    Personnel:

    Clifford Brown (Trumpet)
    Harold Land (Tenor Saxophone)
    George Morrow (Bass)
    Richie Powell (Piano)
    Max Roach (Drums)
    --
    Bob Shad (Producer)

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    Lambert, Hendricks & Ross Hi-Fly The Hottest New Group In Jazz 1962

    3:48

    more

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    Nefertiti by Miles Davis

    7:56

    Title - Nefertiti
    Artist - Miles Davis
    Album - The Essential

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    Tina Brooks - Back To The Tracks

    8:07

    Love! Please do use 1080p for optimal quality.

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    Art Blakey & Thelonious Monk Rhythm-A-Ning Art Blakeys Jazz Messengers W 1957

    7:21

    more

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    Chet Baker - But Not For Me

    6:22

    Chet Baker - But Not For Me. 1955, Holland. Baker (t, voc), Dick Twardzik (p), Jimmy Bond (b), Peter Littman (d).

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    Freddie Hubbard - Open Sesame

    7:12

    Album: Open Sesame
    Year: 1960
    Label: Blue Note

    Freddie Hubbard - trumpet
    Tina Brooks - tenor saxophone
    McCoy Tyner - piano
    Sam Jones - bass
    Clifford Jarvis - drums

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    Thelonious Monk - Straight, No Chaser

    2:58

    Thelonious Monk - Straight, No Chaser.

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    Soy Califa - Dexter Gordon

    6:26

    The first track off of Dexter Gordon's A Swingin' Affair

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